Astrid Lorange: The Exemplary Poem is the Non-Poem
This paper was presented in the panel ‘Contemporary Poetics’ at the Historical Poetics symposium.
Tag Archives: Historical poetics
Holly Isemonger: Unassuming and Furtive and Stiff and Absurd:
Pleasure and Genre in a Poem by Matthew Welton. This paper was presented in the panel ‘Contemporary Poetics’ at the Historical Poetics symposium.
Andrew Brooks: The poem as:
restaurants, yoga mats, poems, former boyfriends or girlfriends, wives and husbands (and their photographs). This paper was presented in the panel ‘Contemporary Poetics’ at the Historical Poetics symposium.
Justin Clemens: First Fruits of a Barron Field
This paper was one of the keynote presentations at the Historical Poetics symposium.
Sam Moginie: ‘Four Heads’:
Genre and the Conceptual in Australian Poetry. This paper was presented in the panel ‘Australian Poetics’ at the Historical Poetics symposium.
Michael Farrell: Unbeautiful Relations:
‘Waltzing Matilda’ and Colonial Poetics. This paper was presented in the panel ‘Australian Poetics’ at the Historical Poetics symposium.
Sean Pryor: We Never Had Paris:
Hope Mirlees and Modernist Poetics. This paper was presented in the panel ‘Orality and Writing’ at the Historical Poetics symposium.
Paul Magee: Composing a poem someone else wrote
This paper was presented in the panel ‘Orality and Writing’ at the Historical Poetics symposium.
Ben Etherington: ‘The Liquid Negro Language of the South’:
Claude McKay’s Exemplary Doggerel. This paper was presented in the panel ‘Orality and Writing’ at the Historical Poetics symposium.
Ann Vickery: [T]hinking of time and typing:
Travel Exhaustion in Martin Johnston’s In Transit: A Sonnet Square. This paper was presented in the panel ‘Inheritances, Limits, Forms’ at the Historical Poetics symposium.