Bonny Cassidy: unbidden
|ʌnˌbɪd(ə)n|. This paper was presented in the panel ‘Poetics of Decolonization’ at Active Aesthetics: Contemporary Australian Poetry.
This is the chronological archive of all POETRY & POETICS materials from our events and seminars. To navigate the archive you can explore by date, click on the tags below each archival object, or use the search function in the menu bar.
This is the chronological archive of all POETRY & POETICS materials from our events and seminars. To navigate the archive you can explore by date, click on the tags below each archival object, or use the search function in the menu bar.
|ʌnˌbɪd(ə)n|. This paper was presented in the panel ‘Poetics of Decolonization’ at Active Aesthetics: Contemporary Australian Poetry.
This paper was presented in the panel ‘Poetics of Decolonization’ at Active Aesthetics: Contemporary Australian Poetry.
This panel was presented by Toby Fitch, Michael Farrell and Corey Wakeling at Active Aesthetics: Contemporary Australian Poetry.
‘No colony can con’. This paper was presented in the panel ‘Pan-Tropics Poetics’ at Active Aesthetics: Contemporary Australian Poetry.
Species Catalogues and the Conceptual Episteme in Australian Poetry. This paper was presented in the panel ‘Pan-Tropics Poetics’ at Active Aesthetics: Contemporary Australian Poetry.
A Down Under Conceit. This paper was presented in the panel ‘Pan-Tropic Poetics’ at Active Aesthetics: Contemporary Australian Poetry.
Readings and Performances from the Friday session of Active Aesthetics; a conference and festival of contemporary Australian poetry that took place over four days in April 2016 at the University of California, Berkeley and the San Francisco Center for New Music.
This panel was presented by Sam Langer, Astrid Lorange and Marty Hiatt at Active Aesthetics: Contemporary Australian Poetry.
Reduction and bearing in some poems by Tim Wright. This paper was presented in the panel ‘Politics, Activism, Innovation’ at Active Aesthetics: Contemporary Australian Poetry.
Conspirary, ecstasy and hopelessness in contemporary Australian writing around art. This paper was presented in the panel ‘Politics, Activism, Innovation’ at Active Aesthetics: Contemporary Australian Poetry.