Sam Langer: ‘After the bombs we invent the future’:
A Poetics of Threat. This paper was presented in the panel ‘Politics, Activism, Innovation’ at Active Aesthetics: Contemporary Australian Poetry.
All posts by Socorro Cifuentes
Q&A Discussion from the keynote panel ‘Contemporary Aboriginal Poetics’
This panel was presented by Ali Cobby Eckerman, Natalie Harkin and Stuart Cooke at Active Aesthetics: Contemporary Australian Poetry.
Stuart Cooke: Australian Bricolage:
Decolonisation, Compost, Country. This paper was presented in the panel ‘Contemporary Aboriginal Poetics’ at Active Aesthetics: Contemporary Australian Poetry.
Natalie Harkin: Archival-poetics
This paper was presented in the keynote panel ‘Contemporary Aboriginal Poetics’ at Active Aesthetics: Contemporary Australian Poetry.
Ali Cobby Eckermann: Give me back my mother’s heart
This paper was presented in the panel ‘Contemporary Aboriginal Poetics’ at Active Aesthetics: Contemporary Australian Poetry.
Q&A Discussion from panel ‘Australian Genealogies of Active Aesthetics’
This panel was presented by Philip Mead, Ann Vickery and Peter Minter at the Active Aesthetics: Contemporary Australian Poetry.
Peter Minter: Opposing Natures:
Extraction and Proliferation in Twenty-first Century Australia Poetry. This paper was presented in the panel ‘Australian Genealogies of Active Aesthetics’ at Active Aesthetics: Contemporary Australian Poetry.
Ann Vickery: Luxurise This!
Contemporary Poetic Practice and The Communal Imaginary. This paper was presented in the panel ‘Australian Genealogies of Active Aesthetics’ at Active Aesthetics: Contemporary Australian Poetry.
Philip Mead: The Territory of Activism:
John Kinsella’s upending of Dante in Western Australia. This paper was presented in the panel ‘Australian Genealogies of Active Aesthetics’ at Active Aesthetics: Contemporary Australian Poetry.
Active Aesthetics
Active Aesthetics was a conference and festival of contemporary Australian poetry that took place over four days in April 2016 at the University of California, Berkeley and the San Francisco Center for New Music.